GIBSON EB0 BASS

The EB0 is a true design classic. From its launch in 1959 to its demise 20 years later, it remained gibsons most popular bass, making up almost a third of all solidbody bass sales

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Short scale strings suitable for the EB0 bass D'Addario EXL220S Electric Bass Strings XL Nickel Super Light Short Scale (D'Addario EXL220S Nickel Super Light Short Scale) Thomastik-Infeld JF324 Jazz Flatwound Short Scale 4-String Bass (Thomastik-Infeld JF324 Jazz Flatwound Short Scale) Rotosound RS77S Jazz Bass Strings Short Scale (Rotosound - Bass Strings - RS77S - Jazz Bass) Rotosound RS88S Trubass Standard Gauge Short Scale Strings (Rotosound - Bass Strings - RS88S - True Bass (Black Nylon)) Fender 5250XL Short Scale Bass Extra Light Strings (Fender short scale Nickel Steel roundwounds) D'Addario EXL160S XL Regular Short Bass String Set (D'Addario Bass Strings Nickel Wound Short Scale - Regular) Ernie Ball 2837 Slinky Silhouette 6-String Short-Scale Bass Strings (Ernie Ball 2837 Slinky Silhouette 6-String Short-Scale Bass Strings)

The vast majority of these guitars were shipped in the 1960s - the peak year with 3018 is 1969 (see a typical '69 EBO here), when Cream style blues rock was at its height (Jack Bruce, the bass player with Cream is famous for his EB3 bass playing). Interestingly enough very few major artists seemed to have used the EB0; the EB3 had a greater tonal range, and money is not an issue for 'rock stars', but it was popular with the garage, blues, soul and church bands of the 1960s and 70s. Users include David Knights of Procol Harum, and Jermaine Jackson of the Jackson Five. The price difference between the two was not massive; in 1970 the EB0 was $350 compared to $410 for the EB3.

The difference between the EBO and the EB3 was the extra pickup (and associated electronics) in the bridge position on the EBO. Both used the same materials, mahogany bodies and necks (maple necked from 72) with rosewood (and occasionally ebony) fingerboards. During much of the production run, the EB0 had a 3-ply pickguard (b-w-b) whilst the EB3s was 5-ply (b-w-b-w-b)

Strengths

Short scale and mahogany throughout made for a quick playing bass with a heavy heavy sound. Obviously popular with the burgeoning rock movement of the late sixties, but also a true design classic that still looks as fresh as it did in '61.

Weaknesses

Sixties EBOs (sixties Gibsons in general) were prone to breaks in the headstock, around the body-neck join and also around the input jack. Mahogany is brittle, which was part of the problem, but the thinness of construction was also a contributing factor. The short scale was also seen as a weakness by some, and so a long scale version was also available from 1970

The EB0 is reknowned for its deep sound. Melting butter. Or mud. Depending on your point of view. Very popular in the 1960s, but by the turn of the decade, tastes had changed. To brighten the sound (and maybe to strengthen the instrument) Gibson introduced long scale (34.5") models which did not sell overly well, and from 1972 laminated maple necks. It was to no avail, though, as by 1974 other Gibson basses such as the Ripper (and in 1975 the Grabber) had appeared and sales of SG style basses plummeted.

similar models

There were two variations of the EB-0 available, if only briefly. The EB-0F was available between 1962-65, though only 250 were shipped. The f stood for Fuzz, as this bass had built in passive fuzz circuitry. Gibson also recognized demand for a long scale bass so over 1000 long scale (34 1/2 ") EB-0L basses were made between 1970-77.

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